101 was created and performed within a democratic protest structure. A collective gathered to examine different ideas, curriculums, and disciplines, testing the boundaries of what happens when they are forced into unanticipated collisions.
101 was presented at École nationale supérieure des Beaux-Arts de Paris during their annual Corps et Artivism event.
A central element of the performance was the looping chant of Suicide’s iconic song Dream Baby Dream, which provided a hypnotic and persistent soundtrack. The repetitive, mantra-like quality of the chant mirrored the relentless nature of protest itself—the continual echo of a demand for change.
